It’s the story of two women escaping arranged marriages through trickery on both their and their actually desired husbands’ part and the random man who gets involved because he doesn’t want to be out of the loop. “The Busy Body” manages to be farcical without getting as complicated as this type of comedy can get. Then again, I did have a guide to the different characters.
Susanna Centlivre wrote The Busy Body: A Comedy in 1709. It can be tricky for a novice, or even just a nonnative speaker to 18th century language to always get the flow of what’s going on. It worked because it was funny. The broadness, the silly characters, it often worked.
Yet this is a play of its time and funny to us now, perhaps because it’s separate from our everyday lives. It’s a play about the abuses of arranged marriage, something that was actually real at the time, even if it was played with exaggeration and ended with an ending typical of this type of comedies from ancient Greece onward.
The play’s moral seems all the more relevant to us, because we know how terrible that old system of women as pure property could be and how we can now see past it.